{"id":12735,"date":"2018-04-19T13:14:55","date_gmt":"2018-04-19T11:14:55","guid":{"rendered":"https:\/\/www.bejart.ch\/?p=12735"},"modified":"2018-04-19T13:35:35","modified_gmt":"2018-04-19T11:35:35","slug":"press-day","status":"publish","type":"post","link":"https:\/\/www.bejart.ch\/en\/press-day\/","title":{"rendered":"Press day"},"content":{"rendered":"<p><a class=\"venobox bbl-image\" href=\"https:\/\/www.bejart.ch\/wp-content\/uploads\/presse.jpg\" class=\"fresco\" data-fresco-caption=\"\" data-fresco-options=\"thumbnails:false\" ><img decoding=\"async\" class=\"wp-image-12732 size-medium img-responsive img-content aligncenter\" src=\"https:\/\/www.bejart.ch\/wp-content\/uploads\/presse-400x554.jpg\" alt=\"\" width=\"400\" height=\"554\" srcset=\"https:\/\/www.bejart.ch\/wp-content\/uploads\/presse-400x554.jpg 400w, https:\/\/www.bejart.ch\/wp-content\/uploads\/presse-800x1107.jpg 800w, https:\/\/www.bejart.ch\/wp-content\/uploads\/presse-1156x1600.jpg 1156w, https:\/\/www.bejart.ch\/wp-content\/uploads\/presse-578x800.jpg 578w, https:\/\/www.bejart.ch\/wp-content\/uploads\/presse.jpg 1668w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>On April 18, the B\u00e9jart Ballet Lausanne had the pleasure to welcome the Belgian press in its studios in Lausanne. The media <a href=\"http:\/\/www.lalibre.be\/\">La Libre Belgique<\/a>, <a href=\"https:\/\/nieuws.vtm.be\/\">WTM Nieuws<\/a>,<a href=\"https:\/\/www.rtbf.be\/\"> RTBF<\/a>, <a href=\"https:\/\/www.vrt.be\/vrtnws\/nl\/\">VRT Journaal<\/a>, <a href=\"https:\/\/www.gva.be\/\">Gazet van Antwerpen<\/a>, the agency BELGA and the producer <a href=\"https:\/\/musichall.be\/fr\/shows\/bolero-home\/\">Music Hall<\/a> travelled to Switzerland for the occasion. During this journey, more than fifteen interviews were realised about the last creation of Gil Roman, <a href=\"https:\/\/www.bejart.ch\/en\/ballet\/t-m-et-variations\/\"><em>t \u2019M et variations\u2026<\/em> <\/a>which the journalists had the chance to discover through the rehearsals. On live, the music from Citypercussion and the dancers\u2019 movements composed a privileged moment.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c<a href=\"https:\/\/www.bejart.ch\/en\/ballet\/t-m-et-variations\/\"><em>t \u2018M et variations\u2026<\/em><\/a>\u00a0is Maurice\u2019s heritage as I see it, and how it continues to live thanks to this organism that is the company.\u201d The artistic director created this ballet ten years after Maurice Bejart\u2019s demise, in a ballet where the movements become words addressed to Maurice. \u00a0Fifty minutes of pure dancing, with series of variations on the theme of Love and the inner necessity of Dance.<\/p>\n<p>&nbsp;<\/p>\n<p>From May 18 to 20, the BBL will be in the impressive Forest National in Brussels. This venue can welcome up to 8,000 spectators. It will be the first comeback of the Company since its last shows of the <a href=\"https:\/\/www.bejart.ch\/en\/ballet\/ixe-symphonie\/\">Ninth Symphony<\/a> in 2016. This year, <a href=\"https:\/\/www.bejart.ch\/en\/ballet\/t-m-et-variations\/\"><em>t \u2019M et variations\u2026<\/em><\/a>, followed by <a href=\"https:\/\/www.bejart.ch\/en\/ballet\/bolero\/\"><em>Bol\u00e9ro<\/em><\/a> by Maurice B\u00e9jart are on the program. An event especially composed by Gil Roman for Brussels will also rhythm the performances.<\/p>\n<p>&nbsp;<\/p>\n<p>Info:\u00a0<a href=\"https:\/\/www.bejart.ch\/en\/spectacle\/bolero-t-m-et-variations\/\">https:\/\/www.bejart.ch\/en\/spectacle\/bolero-t-m-et-variations\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; On April 18, the B\u00e9jart Ballet Lausanne had the pleasure to welcome the Belgian press in its studios in Lausanne. The media La Libre Belgique, WTM Nieuws, RTBF, VRT Journaal, Gazet van Antwerpen, the agency BELGA and the producer Music Hall travelled to Switzerland for the occasion. During this journey, more than fifteen interviews [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"wds_primary_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-12735","post","type-post","status-publish","format-standard","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/posts\/12735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/comments?post=12735"}],"version-history":[{"count":0,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/posts\/12735\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/media?parent=12735"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/categories?post=12735"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/tags?post=12735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}