{"id":12894,"date":"2018-05-01T17:16:13","date_gmt":"2018-05-01T15:16:13","guid":{"rendered":"https:\/\/www.bejart.ch\/?p=12894"},"modified":"2018-08-28T16:38:40","modified_gmt":"2018-08-28T14:38:40","slug":"sant-cugat-april-27-28-2018","status":"publish","type":"post","link":"https:\/\/www.bejart.ch\/en\/sant-cugat-april-27-28-2018\/","title":{"rendered":"Sant Cugat 2018"},"content":{"rendered":"<p><a class=\"venobox bbl-image\" href=\"http:\/\/www.cugat.cat\/noticies\/cultura\/136379\/el-bejart-ballet-lausanne-torna-a-la-ciutat-aquest-cap-de-setmana-amb-tres-coreografies-classiques\"><img decoding=\"async\" class=\"wp-image-12950 size-medium img-responsive img-content aligncenter\" src=\"https:\/\/www.bejart.ch\/wp-content\/uploads\/\/image2-400x226.jpg\" class=\"fresco\" data-fresco-caption=\"\" data-fresco-options=\"thumbnails:false\"  alt=\"\" width=\"400\" height=\"226\" srcset=\"https:\/\/www.bejart.ch\/wp-content\/uploads\/image2-400x226.jpg 400w, https:\/\/www.bejart.ch\/wp-content\/uploads\/image2-800x452.jpg 800w, https:\/\/www.bejart.ch\/wp-content\/uploads\/image2.jpg 970w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><strong>On April 27 and 28, the B\u00e9jart Ballet Lausanne was back in Sant Cugat, seven years after its last show. Four ballets were presented at the Teatre-Auditori in front of a charmed public.<\/strong><\/p>\n<p>In 2011, the BBL presented<em>\u00a0Syncope, Song of herself<\/em> and <em>Dionysos suite<\/em> in Sant Cugat. Seven years later, three ballets were announced:\u00a0<em>Tomb\u00e9es de la derni\u00e8re pluie<\/em> by Gil Roman,\u00a0<em>Piaf<\/em> and <em>Bol\u00e9ro<\/em> by Maurice B\u00e9jart. A surprise had been added to the program: the revival of\u00a0<em>Altenberg Lieder<\/em> by Maurice B\u00e9jart (premiere in 1995).<\/p>\n<p>At the arrival of the Company in Sant Cugat, the local media attended the press meeting, with Gil Roman, Elisabet Ros &#8211;\u00a0the Catalan BBL&#8217;s dancer &#8211; and Carme Fortuny, Sant Cugat Culture and Promotion deputy. On stage, the shows started with a focus on women, with <em>Tomb\u00e9es de la derni\u00e8re pluie<\/em>. This ballet was created by Gil Roman for 10 female dancers and one male dancer. <em>Piaf<\/em>, a\u00a0choreography interpreted by men,\u00a0drew special attention to the wide repertoire and powerful voice of the singer. Finally,\u00a0<em>Bol\u00e9ro<\/em>, one of the mythic creations by Maurice B\u00e9jart, was interpreted, for the central role, by Elisabet Ros and Julien Favreau.<\/p>\n<p>On both dates, the BBL received a warm welcome and a standing ovation from the public.<\/p>\n<p>Cugat.cat was with us during the press meeting, which you can discover <a href=\"http:\/\/www.cugat.cat\/noticies\/cultura\/136379\/el-bejart-ballet-lausanne-torna-a-la-ciutat-aquest-cap-de-setmana-amb-tres-coreografies-classiques\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On April 27 and 28, the B\u00e9jart Ballet Lausanne was back in Sant Cugat, seven years after its last show. Four ballets were presented at the Teatre-Auditori in front of a charmed public. In 2011, the BBL presented\u00a0Syncope, Song of herself and Dionysos suite in Sant Cugat. Seven years later, three ballets were announced:\u00a0Tomb\u00e9es de [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"wds_primary_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-12894","post","type-post","status-publish","format-standard","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/posts\/12894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/comments?post=12894"}],"version-history":[{"count":0,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/posts\/12894\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/media?parent=12894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/categories?post=12894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bejart.ch\/en\/wp-json\/wp\/v2\/tags?post=12894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}