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La porte
Maurice Béjart

For the launch of the Brooklyn Academy season in New York in 1970, Maurice Béjart caused a sensation when he presented La porte: a pointe solo choreographed for Maïna Gielgud to the music of four of Variations pour une porte et un soupir. In this piece, Gil Roman questions identity by entrusting the role to a male dancer for the first time.

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