This return carries a powerful story. In 1996, when La Fenice burned down, the company was touring in Palermo. That evening, Maurice Béjart addressed the audience to announce the news and promised that when the theater reopened, dance would once again have its place on that stage. He kept his promise: in 2004, at the reopening of La Fenice, the Béjart Ballet Lausanne was among the very first companies to perform on the legendary reconstructed stage, presenting The Firebird a symbol of rebirth above all others.
Twenty years later, the company returns once more.
The evening will open with Serait-ce la mort ?, created in 1970 to the Four Last Songs by Richard Strauss. A man on the verge of death remembers three women he once loved, yet a fourth woman always intervenes unknown, mysterious. The title comes from the final line of the last Lied: “Ist dies etwa der Tod?” (“Could this perhaps be death?”). It is a work of haunting beauty, in which Béjart reaches the essential with rare simplicity.
The program will continue with The Firebird, set to the music of Igor Stravinsky. Here, the work resonates with particular strength: the Firebird, a figure of revolt and freedom, symbolizes what rises again from its ashes and in Venice more than anywhere else, the myth takes on its full meaning.
The evening will conclude with Boléro, set to the music of Maurice Ravel. A soloist, a red table, dancers, and a tension that builds inexorably toward its devastating finale. A universal masterpiece to close an extraordinary evening.
With the support of l’Occitan Group and
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